Born in Columbus, Ohio, in 1977, Maggie Smith is the author of three books of poetry: Good Bones (Tupelo Press, 2017); The Well Speaks of Its Own Poison (Tupelo Press, 2015), winner of the 2012 Dorset Prize and the 2016 Independent Publisher Book Awards Gold Medal in Poetry; and Lamp of the Body (Red Hen Press, 2005), winner of the 2003 Benjamin Saltman Award. Smith is also the author of three prizewinning chapbooks: Disasterology (Dream Horse Press, 2016); The List of Dangers (Kent State/Wick Poetry Series, 2010); and Nesting Dolls (Pudding House, 2005).
A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received six Individual Excellence Awards from the Ohio Arts Council, two Academy of American Poets Prizes, and fellowships from the Sustainable Arts Foundation and the Virginia Center for the Creative Arts. Her poems appear in Best American Poetry, the New York Times, Tin House, The Believer, The Paris Review, Ploughshares, Kenyon Review, The Gettysburg Review, Guernica, Plume, The Iowa Review, The Southern Review, and Virginia Quarterly Review.
In 2016 Maggie Smith’s poem “Good Bones” went viral internationally, receiving coverage in the Washington Post, the Guardian, the Telegraph, Slate, Huffington Post Italia, and elsewhere. To date it has been translated into nearly a dozen languages; interpreted by a dance troupe in Chennai, India; and set to music by multiple composers. PRI (Public Radio International) called it “the official poem of 2016.” In 2017 the poem was featured on an episode of the CBS primetime drama Madam Secretary, also called “Good Bones,” and was read by Meryl Streep at Lincoln Center.
Smith holds a BA from Ohio Wesleyan University and an MFA from The Ohio State University. She has taught creative writing at Gettysburg College (2003-2004) and in the MFA program at The Ohio State University (2016), and she worked for several years in trade book and educational publishing. She now lives with her husband and two children in Bexley, Ohio, where she works as a freelance writer and editor, and serves as a Consulting Editor to the Kenyon Review.
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