In this week’s Mix Tape on the Kenyon Review blog: the cease-and-desist letter Lazy Fascist Press received from Jack Daniels concerning a book cover; Lace Sensor Dresses, which play poems aloud through tiny, sewn-in speakers when parts of the dresses are touched; a 1968 BBC interview with a… Read More
In this week’s Mix Tape on the Kenyon Review blog: literary characters and what they were almost named; meeting your literary nemesis in an MFA program; a Bukowski-Sondheim musical; and much more.
In this week’s Mix Tape on the Kenyon Review blog: The 3:AM website disappeared last week, so what are the ultimate consequences for online magazines, if it’s this easy for one to vanish into cyberspace? Plus Michael Cunningham breaks down the Pulitzer breakdown, in two parts,… Read More
In this week’s Mix Tape on the Kenyon Review blog: gamers in Tehran will soon be able to carry out the fatwa on a virtual Salman Rushdie in a video game, “The Stressful Life of Salman Rushdie and Implementation of his Verdict”; Sarah Manguso has some… Read More
In this week’s Mix Tape on the Kenyon Review blog: “The Book That Can’t Wait” demands your immediate attention—because it was printed using disappearing ink; research shows that a busy coffee shop is a better location for tackling a creative project than a quiet library; a new… Read More
In this week’s Mix Tape on the Kenyon Review blog: Do you like “suave V words, such as Svengali, svelte, bravura, verve” or “crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty”? Why do crayon names matter so much? What’s with Groupon’s literary style? And, wait, there’s more…
In this week’s Mix Tape on the Kenyon Review blog: What are the top ten poetry presses based on their book covers? Where do things stand in publishing for writers of color, based on books reviewed by the New York Times? What does poetry have to… Read More
